"Muramba...cha.khay.chi ghaai nako. Muru de na jara"
The lyrics from the title song provide some solid advice but fail to implement it for the home effort. As my Ajji would have said 'Raja, jikde pikta tikde wikat nahi'
The movie starts with a break-up and ends with one of the two possible outcomes (#NoSpoilerAlert). Everything in between is a serio-comic effort by the boy's parent set to engineer a patch-up. Dialogues, artificial and eager-to-tickle, fail more often than they work. On the fair-balance side, there are at least a few easy chuckles with the Puneri marathi dialogues.
The male lead, Alok (Amey Wagh), is supremely irritating. Whether it is Amey doing a bangin' good job of coming across as irritating per demands of the role or if that's how acts is a judgment that I have no desire to make, but he makes me want to tell the girl 'Good job! Run! Don't turn back! His parents birthed him. They're stuck with him. You? You have an option!'
The gravest injustice is dealt to Mithila Palkar, an adorable child-woman, who can do so so much more but is made to grimace and sigh through most of the movie.
The parent-set of Sachin Khedekar and Chinmayee Sumeet put in an ernest effort and do something the spawn seems unable to, perform and entertain.
Overall, the movie is handicapped by lack of depth, poor development of characters, and a basic inability to make 'me' care for the lead character.
Note: YG's Ma and Dad are likely to find this movie reasonably entertaining.
The lyrics from the title song provide some solid advice but fail to implement it for the home effort. As my Ajji would have said 'Raja, jikde pikta tikde wikat nahi'
The movie starts with a break-up and ends with one of the two possible outcomes (#NoSpoilerAlert). Everything in between is a serio-comic effort by the boy's parent set to engineer a patch-up. Dialogues, artificial and eager-to-tickle, fail more often than they work. On the fair-balance side, there are at least a few easy chuckles with the Puneri marathi dialogues.
The male lead, Alok (Amey Wagh), is supremely irritating. Whether it is Amey doing a bangin' good job of coming across as irritating per demands of the role or if that's how acts is a judgment that I have no desire to make, but he makes me want to tell the girl 'Good job! Run! Don't turn back! His parents birthed him. They're stuck with him. You? You have an option!'
The gravest injustice is dealt to Mithila Palkar, an adorable child-woman, who can do so so much more but is made to grimace and sigh through most of the movie.
The parent-set of Sachin Khedekar and Chinmayee Sumeet put in an ernest effort and do something the spawn seems unable to, perform and entertain.
Overall, the movie is handicapped by lack of depth, poor development of characters, and a basic inability to make 'me' care for the lead character.
Note: YG's Ma and Dad are likely to find this movie reasonably entertaining.
Thank you for this, I watched this movie on Netflix because I've really enjoyed Mithila's performances before but I simply could not get myself to actually even finish the movie in one sitting. I went looking at reviews after I watched it and I was so surprised! But thank you for this review, I thought I just had really bad taste. I enjoyed the story-telling, the visuals, everything, except the story in itself. Amey's character was the absolute worst and I was hoping that Indu would leave him, move on, succeed in life. There's no need to baby your boyfriend like that. Ugh, so disappointing. Thanks again.
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